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If you don't like it, kiss this


Forget Generation X, we're Generation Multitask. I sit here typing on my laptop while I listen to my Ipod uploading pictures from my digital camera and talking on my cell phone while I transfer files with my flash drive as my friend watches The View (hence the need for my Ipod) on her satellite TV and fast forwards through commercials with her DVR remote.

Then I'm going to put it all away and read a book on film making. Printed on actual paper.

Isn't that kind of beautiful?

Last night I saw Spamalot. A disjointed script with some story problems, but funny. Oh so funny. But not funny enough to warrant a standing ovation. Unfortunately, in this day and age we see a French man playing a flute with his ass as cause for a standing cheer, so John O'Hurley running around with a coconut is considered a masterpiece worthy of hurrahs and bravos. Of course, many of those standing folk decided that a baseball cap and an ugly green ripped up T-Shirt with the John Deer logo on it was proper attire for a night at the theater.

After another pass at the script (thanks go to Scott, who inspired our latest changes) Partner and I feel like we're really ready now. It's time to get down to the nitty gritty. Before, Partner liked the script and was happy to give me advice on directing from his frigid perch in the Cold North Lands, but now he's so in love with his own words that he wants to fly back here to shoot it as one of the actors. He has loads of experience so it's a natural fit.

That actually makes me a bit nervous. He's directed short films before and I haven't, and he paid a bazillion film school dollars to learn what I have attempted to pick up from books and websites for considerably less. Yet I get to stand over him and make suggestions on which way to grab his movie girlfriend's breast as he sticks his tongue down her throat.

Actually, I'm beginning to think that may be why he wants the role. He gets me ordering him to make out with another girl. That has to be somebody's fantasy.

Once again, anyone with any suggestions on lessons you've learned from shooting your own films is completely welcome to give my green ass some advice.

I have a feeling I'm about to work said ass off. Good thing there's some photographic evidence of where it once was.

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